Category: Gear


  • New AAX X-Plosion Fast Crash From Sabian

    [Press Release]

    Responding to requests from R&B, funk, jazz, pop, and fusion drummers for a faster variation of its popular X-Plosion crash, Sabian has introduced the AAX X-Plosion Fast crash. Thinner, more responsive, and with a glassier, higher pitch ensuring extremely quick response and decay, this extra-thin model—available in 14″, 15″, 16″, 17″, 18″, and 19″ sizes—delivers a super-fast response. The bright, shimmering sound is so pure, clean, and concentrated that it blows through everything going on around it.

    “The AAX X-Plosion Fast crash is great for players wanting a big, explosive response with a faster, brighter sound,” said Sabian master product specialist Mark Love. “Its AAX ‘Dynamic Focus’ design means it responds accurately at all volume levels, so it’s fast, glassy, and extremely versatile with a bright, explosive attack, penetrating definition, and total presence.”

    Tony Royster Jr. (Jay-Z), Jim Riley (Rascal Flatts), Cora Coleman-Dunham (Prince), and Todd
    Sucherman (Styx, Brian Wilson) are among early adopters of the AAX X-Plosion Fast crash cymbals.
    The AAX X-Plosion Fast crash is crafted from Sabian B20 bronze and is quality protected by Sabian’s two-year warranty.


  • Simon Phillips Anniversary Drum Kit at NAMM 2009

    Along with an oompa-loompa-orange Lars Ulrich kit, Tama showed off a Simon Phillips 30th-anniversary drum set at NAMM 2009. Made of Monarch shells (a maple/bubinga/maple hybrid), the drums looked positively exquisite, and we got good Google AdSense money they sound damn fine too. Unfortunately, like all of the kits at Tama’s booth, the Simon Phillips set was off-limits to even the most well-connected thumpers. Next year, we’re bringing this along to distract the booth cops.

    Check out more pics of the kit and other Tama drums from NAMM right here.


  • Ludwig Drums at NAMM 2009

    Remember like five years ago when Ludwig was boring? Venerable, sure—but still as boring as an insurance seminar or a lecture on Mesoamerican basket weaving. Well, shit has changed, thumpers. Celebrating its centennial as a manufacturer of drums, Ludwig came to NAMM with a truly stunning booth that included intriguing new gear and some modern versions of classic kits from the company’s long history. Check out the pics below of Jason Bonham’s anniversary kit (which pretty much borrows everything from papa Bonham’s amber Vistalites), a Neil Peart “Ro Sham Bo” replica, and a little something from a Liverpool lad who recently went nuts. More photos are available in our Ludwig gallery on Flickr. Just bring some wet-naps and a cigarette before you get to clicking.


  • Vinnie Paul Signature Drums

    The struggling economy has affected quite a few instrument manufacturers, but you wouldn’t know it from ddrum’s mightily awesome booth at NAMM 2009. Along with its usual bevy of cool bangables, the company proudly displayed Vinnie Paul’s new signature kit (complete with huge rack toms), new signature snare, and new signature pedals. Check ’em out below. The rest of our ddrum gallery can be eye humped here.


  • Mapex Drums at NAMM 2009

    Just a few weeks before NAMM 2009, Mapex threw open its gates and let loose a veritable phalanx of new drum gear, including the Merdian series and an exceptionally sexy Saturn kit in an Arctic White lacquer. We’ve posted in-the-wild pics of both of them and much more here on Flickr. Some teaser photos for you below.


  • Danny Carey Signature Snare Drum

    We snapped a few in-the-wild pics of Danny Carey’s signature snare from Sonor at NAMM 2009. More photos of Sonor drums are available here in a Flickr set.


  • Taye Drums at NAMM 2009

    Taye showed up with all manner of great gear at NAMM 2009, including the awesome double-kick kit pictured below. For our full Taye gallery, just click right here.


  • Paiste Cymbals at NAMM 2009

    Paiste didn’t have any new gear to show off at NAMM 2009, but that didn’t stop the Swiss cymbal-meisters from bringing every bloody model in their catalog. Their booth was a thing of absolute brass beauty—from the soundbooth itself to the floor displays for the Twenty and Black Alpha series. Some teaser pics are below. Be sure to check out our full Paiste gallery here.


  • Travis Barker Drum Kit Spotted at NAMM

    Orange County Drum & Percussion busted out with a black-on-black-on-black Travis Barker kit at this year’s NAMM show. The set was also—and understandably—outfitted with Zildjian Pitch Black cymbals. Less understandably, a “do not play” sign, which you’ll see in the teaser pics below, defaced this beaut of a bangable.

    Check out our full OCDP gallery on Flickr for more images from NAMM.


  • Spaun Edgevent Drum Kit at NAMM 2009

    We wrote about Spaun’s Edgevent kit back in August of last year, and I got a tragically brief bit of stick time with one at NAMM 2009. It’s a great-sounding set of drums…and it looks cool to boot. Our in-the-wild Edgevent pics are below. Check out BDT’s full Spaun gallery on Flickr.


  • Sabian’s AAX Raw Bell Dry Ride

    [Press Release]

    The popularity of Sabian’s HH Raw Bell Dry Ride and recently released, brighter sounding AA version has prompted the company to introduce the innovative AAX Raw Bell concept into its AAX series. Design-wise, the 21″ AAX Raw Bell Dry Ride is medium-heavy weight and fully lathed with the exception of its large and solid raw bell. The cymbal surface is fully hammered from edge to center. The Raw Bell Dry Ride design is popular because it offers players a highly effective versatility at virtually any volume and in any style of music. Being an AAX series model, this cymbal includes Sabian’s innovative AAX “Dynamic Focus” design, which ensures optimum response at all volume levels, from low to loud, and a consistent purity of sound.

    “The Raw Bell Dry Ride design is possibly the single most versatile and effective ride cymbal ever designed,” said Sabian master product specialist Mark Love. “Not only does this AAX model deliver consistently bright and pure sounds, it is ideal for any player wanting the absolute best in terms of consistently pure and bright stick definition across the bow and bell areas, as well as a level of dynamic sensitivity that ensures crisp clarity and accuracy at all volumes.”

    Created from pure Sabian B20 bronze, the 21″ AAX Raw Bell Dry Ride is available in a natural finish or glossy brilliant finish and is quality-protected by Sabian’s two-year warranty.


  • Lars Ulrich Signature Drum Kit

    It always happens this way. Before every NAMM show, I plan and plot and map out my strategy for hitting every drum booth in a methodical and efficient manner. But as soon as the doors are thrown open and I get that smell of new gear in both nostrils, I immediately run to whatever big and shiny drum kit I see first. This time, it was Tama that grabbed me by the balls with a Lars Ulrich signature set. Here are some teaser pics before we get the full gallery on Flickr up.

    [Update: Our complete Tama gallery is now available here. It includes thirteen photos of the Lars Ulrich signature set.]


  • New AAX Memphis Ride From Sabian

    I caught a quick demonstration of this model at the Sabian press conference on Thursday. The cymbal has both a good crash and a good ride sound. If you got room for only one cymbal on that tiny-ass Holiday Inn stage you’re stuck playing on every weekend, you wouldn’t go wrong grabbing a Memphis ride.

    From the press release:

    Combining dry, crisp stick articulation over a wash of glassy bright tone, the Memphis ride offers a range of versatility that makes it an ideal choice for drummers in search of a ride that does it all. Designed with a high profile and AAX hammering, the bottom of this 21″ medium-thin model is cut with narrow pin-lathing to enhance the feel and increase the crash response capability, while the top is line-lathed, resulting in clear stick definition.

    “The Memphis ride is a great combination of ride and crash without compromise,” said Sabian master product specialist Mark Love. “It’s ideal for many styles of music, with prototypes popular with gospel drummers and other soulful players. Aside from the design, the magic in this cymbal is its weight. The Memphis ride is just heavy enough to ensure it performs perfectly as a ride, a crash, and as a crash-ride.”


  • Sabian “One of 100″ Project Offers Exclusive Soil-Aged Cymbals

    Fuck off, Father Time. Instead of waiting decades to get a beautifully aged cymbal, you can just bury that baby in the ground. Or at least that’s what some of the mad-genius cymbalsmiths at Sabian are betting on.

    For a project titled “One of 100,” the company has buried 100 of its primo 21″ Vault Artisan ride cymbals in a specially designed container in eastern Canada. In mid-2009, they’ll be dug up, sonically approved by the Sabian Vault Team (keep in mind the cymbals will have been subjected to the cold, heat, and general misery of the Canadian climate), and then individually packaged in a deluxe wood box, complete with official documentation of authenticity signed by master product specialist Mark Love. Details on how to purchase one of the 100 cymbals will be announced on Sabian’s website in February.

    More info from the press release:

    In a move driven by market curiosity, Sabian has buried 100 of its premium Vault Artisan ride cymbals and will dig them up from the ground in mid-2009. Why? According to Sabian VP of sales Peter Stairs, the company receives hundreds of queries annually regarding the “aging of cymbals by burying them in the ground.” So the specialists in the Sabian Vault have buried the cymbals in an undisclosed spot near the Sabian factory in eastern Canada. The project is entitled “One of 100.”

    Continued Stairs: “Buried cymbals are the stuff of legend. Anecdotal comment indicates that aging the cymbals by burying them in soil actually helps shape their sound. Of course we are as curious as anyone to see what these cymbals sound like when they’re pulled up from the earth. These are custom-sized 21” Artisan medium ride models in a natural finish. They will have endured about eight months of dry, wet, hot, and cold soil including the freezing temperatures of our Canadian winter. We anticipate they will be dirtier looking, and if what the legend says it true, they should be dirtier sounding as well.”

    The cymbal of choice for “One of 100” is no accident, says Stairs. “The Artisan ride exemplifies Sabian cymbal-making artistry in that it is hand-hammered traditional-style, and its tone is darker and dirtier…quite earthy. It’s the ideal choice.”


  • Cindy Blackman Joins Istanbul Agop, Has New Signature Cymbals

    Cindy Blackman has joined forces with Istanbul Agop to create a new line of signature cymbals called the OM series. The cymbal line will be unveiled at this year’s NAMM show (stay tuned for our pics!) and will include a 20″ ride, three crashes (16″, 18″, and 20″), and a pair of 15″ hi-hats. From the press release:

    The Cindy Blackman OM series was designed in conjunction with Cindy to capture the vibier, more dynamic cymbal sounds from the golden era of jazz. The 22″ ride has a clear, slightly metallic stick due to the unique blue/black finishing and intense hammering, and features a dry, trashy crash sound. The 15″ hi-hats are low, dark and sloshy, with a clear chick and a dark and mellow wash. Crashes are paper thin, with an explosive attack and a quick decay. The 20″ makes a dynamic, yet powerful and versatile left side or crash/ride.

    [via Drummer Cafe]